Afterimages like looking into the sun but I must relax and be present in doctor’s office before I can return to the scene of my affliction.
Aaron, in a meeting is parking the car near Industrious Therapy on 52nd Street while I take the elevator to 6th floor where I tap the screen and scan my palm before writing in waiting room filled with news reports which nobody wants to watch.
Skin doctor will observe my latest continuous example of flesh gone wrong as I try to breathe hopefully and without fear of yesterday’s potential for recurrent tragedy.
Help me. Help me help myself.
Pet Shop Boys sing of another world of homeless disco drama in 1993 Little Caesars favorite in my very theatrical headphones.
Putting pen to paper often helps when I’ve exhausted other options.
Breathe. Listen. Write as Aaron announced his ascension.
In the theater there is no escape no respite from disturbances however minor or intense.
I try to ground try to limit the annoyance and focus on the other worlds flashing before my eyes but it fades into a mishmash of barely recognized words and actions
I feel nothing except a mounting terror that I will disappear again and wake somewhere unknown.
I pull myself into the present but I’m just as lost as if I’d walked into a completely different film.
I want them to rewind but the projectionist is an unforgiving dick so I try to feel out what I’ve missed as I continue to struggle with language and context.
I ask Aaron where a character escaped to but the movement returns and I can’t hang on to the moment and having asked twice in his panic stricken voice I argue internally – what are we to do?
I turn from the screen which has become a spoiler reel which would ruin the film when I finally get to experience it in full.
I weep, holding Aaron’s hand as I’m left behind; he wants to see it with me but I’m not even there… just a cacophonous shell in which I hold my younger self and try to convince him that we are okay and that I know how to get us home.
Outside, confusion threatens destruction but I know north from south and east from west.
I head north and then east surrounded by revelers, I make note of the Avenue names until I reach Madison, when I realize I can navigate towards therapy, where instinct will kick in and return us safely to our home.
I was going to write to you about the nightmares you inspired but amidst distraction I scrawled: 2/27 and I decided to follow that path instead.
I do that now. I observe seemingly random behavior and allow it to take me somewhere unplanned until I reach the end.
“This is not the end.”
A bumper sticker on trashy artsy wall and:
“EAT MY PUSSY SO I KNOW IT’S REAL”
which strikes me as poetic and insightful, rather than profane… sad and beautiful until Madonna’s Sex Book Mix of Erotica starts playing and I dance myself to distraction.
The train is parked in Harlem where a desperate portion of Trump’s thousands are now kept in confusion, doubt and heartbroken tragedy: a trauma that will haunt them for all of their days.
Is this how they were shipped here? In crowded fear drenched train cars? Where have I heard that before?
His overcompensating tower shadows the city, forever tainting the old neighborhood of black spanish jazz renaissance…
How many other Cotton Clubs cross red, white and blue are infected with his orange sacrilege?
Written by Jason Wright July 2, 2018
Poem written but untitled on July 2, 2018.
Title given July 11, when Green Day’s “American Idiot” single was reported to have re-entered British charts in response to Trump’s upcoming visit.
Air conditioned train car is nearly empty but filled with conversation.
I wonder why it is that they talk so loudly?
Impairment? Desperation to be heard?
An aching need to be continuously annoying?
They’re young; perhaps mentally they are still in the noisy schoolyard and must scream to be observed in that wave of riotous infants…
Or maybe Mommy & Daddy never noticed them at all and they howl for attention, love and affection while Mommy drinks herself into a senseless stupor and Daddy lies forever six feet under unreachable.
Crying baby has yet to learn the lost language of abandonment which must be taught to more than two-thousand changeling children in perverse dollhouse TV replicas of unloving American schoolrooms.
The impossible pressing of flesh that distance provides may well be revelatory but God bless those who are spared such unwanted visions of cursed solitude.
God bless those who are forced by their innocence to endure such disturbances; such nightmarish realities that they may forever struggle to reclaim what has been or soon will be forever stolen from them.
May they survive, prosper, find comfort of some kind in their shared experience, those tear stained imperatives.