Michael Lost and Found (2017)

2024 Entry #53 07-09-24 “Michael Lost and Found” is a 19 minute 2017 short documentary focusing on Mike Glatze, his wife Rebekah Glatze & Mike’s former lover, Benjie Nycum. The story of these 3 played out in the news and later in a 2015 film “I Am Michael”, which I’ve avoided because I thought I knew the whole story. Mike and Benjie were two of the main creative forces behind “XY Magazine”, which was aimed at gay youth in the 90’s, when I’d never seen anything like that before. I was just out of the target audience, being in my early 20s, but I collected the magazine because it made me feel like positive change was possible in what felt like a deeply conservative and anti-LGBTQ time in my country. However, Michael Glatze later announced he was no longer gay and that he was part of an anti-gay religion, which felt like a huge betrayal to many who found his work inspiring.

Having said all that, I saw that this documentary was available in my collection and gave it a shot and I found the piece quite healing. The conversations that are had are open, seemingly honest, and reveal the rest of Michael’s journey and Benjie’s honest connection with him. I will likely see the film adaptation of this story at some point. I very nearly watched it the next day, but so far it hasn’t happened.

Break Me / Knus meg (2018)

2024 Entry #50 07-06-24 “Break Me” (aka “Knus meg”) is a 15 minute 2018 dramatic short Norwegian film which was directed by Irasj Asanti (“Inkognitiv”, “Eyewitness” / “Øyevitne”) who co-wrote the film with Nina Anderson. The story concerns young kurdish immigrant and closeted homosexual cage fighter Mansour (Ravdeep Singh Bajwa) who must choose between his head and his heart (Fredrik Skogsrud as Andreas) after his father discovers the truth.

Short and to the point, at turns sexy and heartbreaking, this is one of those shorts that walks a fine line.

Chaperone (2022)

2024 Entry #38 04-12-24 “Chaperone” is 16 minute 2022 short film which was written and directed by Sam Max which stars Russell Kahn & openly gay actor Zachary Quinto (“Six Feet Under”, “Star Trek”, “American Horror Story: Murder House”, “American Horror Story: Asylum”, “Star Trek Into Darkness”, “I Am Michael”, “Star Trek Beyond”, “Hannibal”, “Unbreakable Kimmy Schmidt”, “Big Mouth”, “The Boys in the Band”, “American Horror Story: NYC”, “Down Low”). The story concerns Zachary Quinto’s mysterious chaperone who picks up his client (Kahn), accepts his money and after checking to see if the client has followed his instructions, takes him to an out of the way house where the client does drugs, has sex with the chaperone (via a toy) and when ready, is taken into the countryside where he takes a pill which seemingly fulfills its intended purpose and kills him. The chaperone covers everything up. The audience is not privy to why the young man wanted to die or why he went to such great lengths to do so. And the thoughts and feelings of the chaperone are suggested but remain a mystery.

Interesting, dark and well made. This is the kind of short that usually has a slew of comments from gay men who are pissed that it was included in a collection of gay shorts (“Boys On Film 23”) – the same ones that tend to rant about any inclusion of HIV related stories. Yet the tale being told is definitely queer. I like variety so I was pleased. And though I doubt I’ll ever watch this again, it was entertaining & creepy – and I like both.

Eden (2020)

2024 Entry #37 04-12-24 “Eden” is a 17 minute nearly silent 2020 short film which was written and directed by Sven Spur (“Tom and Niel”, “Hot Water”, “Follow Me”, “Burn”). The film follows a central character played by Mustaf Ahmeti, who is credited as “Wolf” in the film, though this name is never said. He spends time hooking up with several men in several different places.

I thought this was a bit disappointing. I had seen the poster before seeing the film and though it was obviously sexy, I had thought it rather evocative of several possible avenues for exploration, but it ended up being mainly just some sex scenes strewn together – which may have well been the point, but it is a point that may have been achieved various other ways which I would have found far more interesting. As it stands, I like the poster far more than I like the film, which isn’t good.

This short is available in the 2023 gay short film collection “Boys on Film 23: Dangerous to Know”.

Budapest, Closed City (2021)

2024 Entry #36 04-12-24 “Budapest, Closed City” is a 13 minute 2021 Hungarian short film which was written and directed by Máté Konkol. The story concerns Péter (Péter Dániel Katona) as he takes his British friend Adam (Adam Wadsworth) on a personal but political tour around Budapest. After getting drunk in an underground club, Adam kisses Peter but things don’t go as expected.

This was fine. It’s not great. It’s not horrible. Some of the activity was reminiscent of the short “No Strings” which I watched just days ago…and this film suffered by that comparison, because this one feels far more staged and much less natural – though I’m sure they were both staged. Lol There was nothing for me to get lost in here. Perhaps if it had been a longer film.

This short is available in the 2023 gay short film collection “Boys on Film 23: Dangerous to Know”.

“My Uncle’s Friend” / “O Amigo Do Meu Tio” (2021)

2024 Entry #35 04-12-24 “My Uncle’s Friend” (aka “O Amigo Do Meu Tio”) a heartbreaking and deeply personal 9 minute short 2021 documentary which was written and directed by Renato Turnes and stars Vicente Concilo as himself as he narrates imagery from old videos his father recorded between 1987 & 1993.

I wasn’t expecting this to be quite so affecting, so unabashedly honest and thoughtful. This is a really excellent piece about a child who was gay and what he felt and thought with much of it documented on camera. This is powerful stuff.

This short is available in the 2023 gay short film collection “Boys on Film 23: Dangerous to Know”.

No Strings (2015)

2024 Entry #33 04-11-24 “No Strings” is a 22 minute 2015 dramatic short film which was written and directed by Eoin Maher (“Thirst”). It’s available in the 2021 collection “The Male Gaze: Hide and Seek”.

The story follows a “no strings” hookup in London between Sean (Aaron Cini), an outgoing Irish man who is stranded with hookup Bryn (Richard Hay), an emotionally reclusive Welshman. I enjoyed most of this. There were a couple of moments that didn’t quite land but overall there were some nice surprises in here that were appreciated. It felt like time well spent, even if it wouldn’t make my top short list.

Fireworks (1947)

This is the 800th title I’ve watched as part of this project I started in 2020; I’d have watched more but I took 2023 off. Still, I wanted to note the progress with something special and this is what I chose and why.

2024 Entry #021 01-16-24 “Fireworks” is a 20 minute 1947 homoerotic experimental short by gay filmmaker Kenneth Anger, who also stars, in what is reportedly the first known gay narrative film in the United States. While quite tame by today’s standards, it was quite daring for the time, featuring themes of homosexuality and sadomasochism. The film was perceived by some as obscene and a screening of the film led to a case that made it all the way to the California Supreme Court, which ruled that homosexuality was a valid subject of artistic expression and that overt reference to it could not be considered obscenity. This ruling became a landmark decision for freedom of speech in the United States.

So, a very important little film which expresses a lot while saying very little. Indeed, most of the film is silent. The film contains no nudity but when the film was attacked, the prosecution persistently referred to “the penis scene”, which famously features a sailor unbuttoning the crotch of his pants to reveal a Roman candle, which shoots sparks into the air. I’d heard much about this title over the years as it is mentioned in several documentaries that I’ve enjoyed, but before today I’d never had access to it. It is fascinating that this seemingly harmless footage was once cause for such alarm. I honestly didn’t think much of it on its own, but its historical significance can’t be underestimated and thus, I’m extremely grateful the film was made.

If Only You Were Mine (2017)

2024 Entry #012 01-07-24 “If Only You Were Mine” is a 23 minute 2017 Slovakian short romantic drama film which was directed by David Benedek (“Together”), who co-wrote it with Jakub Spevák (“Together”) & Ján Stiffel. The story follows a young graduate named Dominik (Jakub Jablonský), who is experiencing his first relationship with a man named Adam (Peter Martincek). Dom struggles with his complicated feelings and an eating disorder. The relationship doesn’t last as Dom expresses love for Adam who is in a different place emotionally – which hurts Dominik, though he quickly rebounds.

Another short collected in “The Male Gaze: Hide and Seek”, This was difficult for me to watch. I suffer from disordered eating myself, though it’s very different from what Dominik experiences – it was close enough that it hurt me. While too brief to really sink its claws in, I appreciated that this was a story with a lot to say about various aspects of life, and I could relate to much of it. I also appreciated Dominik’s relationship with his mother (Judita Hansman).

“Stanley” (2017)

2024 Entry #008 01-04-24 “Stanley” is an 18 minute 2017 Brazilian short drama film which was written and directed by Paulo Roberto.

The story follows a young man who kills birds for his family to eat, plays David Bowie’s “The Man Who Sold the World” on his guitar, then goes to a club where he and another young man dance with a woman. After leaving the bar they share a motorcycle ride to a lake where birds feed. The young woman sleeps, one of the guys swims and later the other guys fucks him. They talk afterward and you learn they went to the same church when they were little though only one of them remembers this. The one who remembers asks the other about his brother Stanley, whom he was friends with when they were young and it is revealed that Stanley killed himself. And that’s that.

This was okay. I actually thought I would like this one more than I did as I tend to love Brazilian films – I love the sound of Portuguese, and I had read an excerpt of dialogue from it which served as a description of the short, which I liked a lot. Sometimes a short feels wholly satisfying on its own with no need for more. Sometimes a short is great but you want more and would welcome a feature length version. And then there are ones like this, which feel like a fragment of something larger, which are not horrible, but are also not completely satisfying on their own. It’s not bad; there are several elements that work very well, and yet none of it feels like it matters in the end.

This short was in the same collection as the previous two. I’ll likely watch the rest of them soon, but not tonight.

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